Good 19th century French marble top centre table, c.1860, stamped A. Beurdeley, a Paris, set with a rectangular grey marble top, with fine surround, above a pair of masked roundels, surrounded by fine borders of beading, on four slender tapered legs accented with ormolu flowers, united by a lower shelf, 74 x 71 x 40 cm. Purchased: Glenleigh Antiques, 2000
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- Tapered Legs - found on both cabinet and country-made furniture from the 18th to the later 19th centuries. The leg sometimes terminates in a spade foot, though on most country furniture the taper continues for the whole length of the leg. The important thing to remember is that the taper ought only to be on the inside face of the leg, and the outer face should be straight and square. Some legs were made where both sides tapered, but in such a case the taper ought to be the same on both the inner and outer faces of the leg. Where the inside of a leg is straight, with only the outer face tapering, there is every reason to be suspicious
- Signed or Stamped - A signed piece of furniture may mean that the maker has signed (and hopefully dated) the piece in the same way that we sign a cheque, but more likely, that it bears evidence of the name of the maker, wholesaler or retailer as a paper label, metal plaque, impressed into the timber or in later pieces after about 1880, stamped onto the timber with an ink stamp.
The 'signature' or stamp will always be in an unobtrusive position: under the top of a table, on the underside of the rails of a chair, inside a drawer or on the back.
The fact that a piece is 'signed' considerably enhances its value. Signed Australian furniture is extremely rare, and for imported furniture, it is a mark of quality of the item, as only the items by the top makers or retailers were 'signed'
- Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
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