A Rene Lalique 'Actinia' vase, no. 10-889, designed 1934, the…
click the photo to enlarge
A Rene Lalique 'Actinia' vase, no. 10-889, designed 1934, the waisted cylindrical body moulded with a wavy design reminiscent of fern fronds, in frosted, clear and opalescent glass, acid etched 'R. Lalique France, 21.5 cm high. Provenance: Decorum Antiques, Melbourne, 16 July 1985

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Opalescent / Opaline - The descriptions of glass as "opalescent" or "opaline" are often used interchangeably by dealers and auction houses. At the upper end of the scale, opalescent / opaline glass can refer to the opal-like milky blue glass produced by Lalique and Etling. It also refers to the pressed glass mass produced in Britain from the 1840s with a milky white edge as sugar-basins, milk jugs and vases were made in great quantities for the mass market, and were sold at fairs along with Staffordshire figures and wooden dolls. A less common type of opalescent glass was made from two layers of glass blown into a mould.
  • Acid Etched - Acid etching is often used on glass, metals, and stone to create decorative finishes or to prepare the surface for further treatment or coating. The process of acid etching involves applying an acidic solution, such as hydrochloric acid or nitric acid, to the surface of the material and allowing it to react with the surface. The acid etches away a thin layer of the material, creating a rough, uneven finish. Acid etching can be used to create a variety of different finishes, from a subtle matte finish to a more pronounced, textured finish.
  • Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.

    The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving.

This item has been included into following indexes:

Visually similar items

A Rene Lalique Actinia vase, designed 1934, the waisted cylindrical body moulded with a wavy design reminiscent of plant fronds, in frosted and clear glass with a sepia patina, acid etched R. Lalique, 22 cm high. Provenance: Renee Antiques, New York, Mr Ha

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Rene Lalique Actinia 10-889 vase, designed 1934, the frosted and blue stained vase with spiraling design, inscribed R. Lalique France', 22 cm high. Literature, Felix Marcilhac, R. Lalique, Catalogue Raisonne, de L'oeuvre De Verre, Paris, 2004, p. 462 (il

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Rene Lalique Coq Et Plumes vase, designed 1928, the tapering cylindrical body moulded to the lower section with cockerels gathered amongst reeds, in frosted and clear glass with a blue patina, acid etched R. Lalique France, 15.5 cm high. Provenance: Mr H

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Rene Lalique Dauphins vase, designed 1932, the compressed cylindrical body moulded with a scene depicting fish swimming, in frosted and opalescent glass with remnant blue patina, acid etched R. Lalique France, 14 cm high. Provenance: Decorative Arts and

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.