Victorian sterling silver sugar basket, neo-classical design…
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Victorian sterling silver sugar basket, neo-classical design footed boat shape with swing handle beaded rim and base engraved ribbon and husk decoration and armorial London 1871

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  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Neo Classical - The period or style, known as "neo-classical", was based on Greek and Roman designs and motifs, and is usually associated with the influence of the four Adam brothers, but principally Robert Adam, the second oldest of the brothers, who were architects and designers, active in the latter half ot the 18th century (1760s to 1790s).

    Born in Scotland in 1728, Robert Adam spent time in Italy studying and his designs are influenced by the finds made during the excavation of Pompei.

    When he returned to England he became the Court Architect to George III (1738-1820).

    In turn, designs by Adam then influenced Hepplewhite.

    Neo-classical ornamentation is characterised by use of classical urns, palmettes, mythical creatures such as the sphinx and griffin, ram's heads, swags, scrolling foliage, and use of the Greek key pattern.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Armorial / Armourial - Bearing a coat of arms. Coats of arms came into general use by feudal lords and knights in in the 12th century, and by the 13th century, arms had spread beyond their initial battlefield use to become a flag or emblem for families in the higher social classes of Europe. They were inherited from one generation to the next. When a family crest is used on individual items of silver or furniture it is an indicator of the aristocratic standing of the family represented.

    Armorials were also used to decorate mass produced ceramic souvenir ware by such companies as Goss, Carlton & Shelley, and in these cases the coats of arms displayed were of boroughs and cities.
  • Husk Motif - The husk motif is a decorative element that has been used in furniture, silver, glass and ceramics decoration for centuries. The motif is typically based on the shape of the husk, or outer covering, of a nut or seed. It is often depicted as a series of overlapping, scalloped shells that create a textured, ornamental pattern.

    In furniture, the husk motif is commonly used in the design of chair and table legs, as well as in the decoration of cabinet doors and drawer fronts. The motif is carved into the wood or other material, creating a three-dimensional effect that adds depth and visual interest to the piece.

    In ceramics, the husk motif is used in a variety of ways, from the decoration of bowls and plates to the design of decorative tiles and other objects. The motif is often painted or carved into the surface of the clay, creating a relief pattern that adds texture and dimensionality to the piece.

    The husk motif has been used in many different historical and cultural contexts, from ancient Greece and Rome to 18th-century France and England. It has been adapted and modified over time, with variations including the acanthus leaf and the palmette motif.

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