Five Victorian blue and white Willow pattern meat platters…
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Five Victorian blue and white Willow Pattern meat platters circa mid 19th century Widths 34.5 cm, & 46 cm

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  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Willow Pattern - Although several potteries including Minton and Spode claim credit for design of the Willow pattern, the design is generally attributed to Thomas Turner of Caughley Porcelain Works in Shropshire, about 1780.

    Whilst borrowing from the Chinese style, it was not a copy of a Chinese pattern.

    The blue-and-white chinaware on which it appeared became immensely popular and the design was reproduced with variations by many English and European factories including Royal Worcester, Spode, Adams, Wedgwood, Davenport, Clews, Leeds and Swansea.

    It was even copied in Asia, where it is still produced, with the wares being exported to Western countries.

    The pattern portrays the garden of a rich mandarin whose young daughter elopes with his secretary. The lovers, overtaken on the bridge by her father, are transformed by the gods into birds and flutter beyond his reach. The scene with its willow tree usually covers the central part of a plate, dish, or bowl, with a border of butterflies, a fret, or other motif.

    Traditional Willow pattern is in cobalt blue on white, though very occasionally other colours are used, such as purple or brown. The main part of the object contains the trees, houses, bridge, figures, and birds of the story and there is usually a fairly abstract pattern around the extremities.

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