A Meissen tureen and cover, late 18th century of oval form, the…
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A Meissen tureen and cover, late 18th century of oval form, the domed cover with a finial shaped as a kneeling putto holding a cornucopia spilling molded applied fruit and flowers, painted with scattered flowers, blue crossed swords and star mark 18 cm high, 21 cm wide

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  • Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.

    Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
  • Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.

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