A Royal Worcester wall pocket and a pair of Royal Worcester…
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A Royal Worcester wall pocket and a pair of Royal Worcester bone china, cornucopia, 1881 (pocket), and 1963, the white wall pocket in the form of a sack tied with blue cord in a bow, green backstamp to rear, and a matching pair of creamy white cornucopia, raised on 'Rocky' bases, green backstamps with date cyphers, height 14.5 cm and 7.5 cm

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  • Bone China - Bone china, Also called 'English china", is one of the three types of porcelain, the other two being soft paste porcelain and hard paste porcelain.

    Porcelain is an ancient ceramic material, first made in China, hence the common name "china", and the introduction of bone china was to counter the imports of Chinese porcelain.

    The initial development of bone china is credited to Josiah Spode, who introduced it around 1800 and it was soon after copied by other manufacturers including Minton, Coalport, Davenport, Derby, Worcester, Wedgwood and Rockingham and the Herculaneum factory at Liverpool.

    Spode's bone china was made by mixing ash from cattle bones with feldspar and kaolin, which created a material that was stronger, more translucent, and whiter than traditional porcelain. He began to produce this new type of porcelain in 1796 and it quickly became very popular.

    At the time, the process and ingredients were kept secret and were only known to a few manufacturers and were protected by patents.

    In the 19th century, bone china became increasingly popular and was widely produced by many manufacturers in England. During this time, it was considered a luxury item and was often used to create fine dining sets and other decorative items.

    Bone china is still used in the production of fine porcelain wares, such as tea sets, figurines, and other decorative pieces. His basic formula of six parts bone ash, four parts china stone, and three and a half parts china clay remains the standard English body. It is still considered a luxury item due to its strength, translucency, and whiteness, and is often used for high-end and high-quality porcelain. China.
  • Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.

    Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.

    In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.

    In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.

    In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
  • Wall Pocket - A wall pocket is a ceramic vase of flattened shape, pierced at the back so it could hang on a wall, and sometimes tapering to a point at the base. They were often made in quaint shapes such as fish, a mask, or a cornucopia. They became popular in the eighteenth century and continue to be made to the present day. Porcelain examples were made by Worcester in a very elaborate form, while those designed Clarice Cliff and Longwy were streamlined and often in pleasant pastel colours.

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