A neoclassical figural bronze mantle clock, late 19th century, signed F. Barbedienne Fondeur to base, C.H. Boye to dial, with a large casting of a Roman woman in lavish drapery upon an extended and stepped red marble base with bas relief figural decoration, the black enamel, dial with Arabic numerals, with key and pendulum, height 77 cm, length 44.5 cm, width 22 cm
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- Pendulum - The pendulum was discovered around 1602 by Galileo Galilei, and was adopted for time keeping by the Dutch mathematician and natural philosopher, Christiaan Huygens, who excelled in astronomy, physics, and horology.
The pendulum comprises a metal rod usually of brass or steel with a metal disk, known as a bob, at the end. The movement of the pendulum is driven by weights or a spring, and as a pendulum swings in a regular arc, it was found accuracy could be controlled to within a few seconds a week.
Timekeeping can be adjusted by changing the height of the bob on the rod, making the pendulum either swing slower or faster.
The disadvantage of the pendulum was that changes in temperature also changed the length of the pendulum, interfering with the accuracy of the clock, and so in the 18th century two types of mercurial pendulums were invented which countered the movement in the steel rod.
The pendulum was the world's most accurate timekeeping technology until the invention of the quartz clock, regulated by a quartz crystal, in 1927.
- Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
- Bas Relief - Bas relief, or low relief, is a carved surface in which the figures project from the background, but only to a limited extent. When a relief is cut in from a flat surface of stone or wood, the background or field is lowered, leaving the unsculpted parts seemingly raised. There are other degrees of relief carving, including high relief and mid relief.
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