A George IV sterling silver tea service by Charles Thomas Fox, London 1829, three piece, teapot, sugar bowl and cream jug, melon pattern with scalloped pedestal base, with acanthus leaf decoration, scroll handles and gilt bowls, height teapot 16.5 cm, sugar bowl 10.5 cm, cream jug 11 cm
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- Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
- Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
- George Iv - George IV (1762 ? 1830) was king of the United Kingdom of Great Britain and Ireland and king of Hanover from 1820, until his own death in 1830. From 1811 until his accession in 1820, he served as Prince Regent during his father's final mental illness.
In English furniture design, his reign from 1811 to 1830 is known as the Regency period.
- Scallop / Shell Motif - The shell motif has been used in furniture and decorative arts for centuries. In ancient Greece and Rome, shells were often used as decorative elements on furniture and in mosaics. The scallop or cockleshell are the most commonly used. During the Renaissance, the shell motif became popular in furniture and architecture, as the ornate decoration was seen as a symbol of wealth and luxury. In the 18th century, the Rococo style of furniture and decorative arts featured an abundance of shell motifs, and it was used by Thomas Chippendale and as a feature on Queen Anne style cabriole legs. In the 19th century, the shell motif was incorporated into Victorian furniture and decorative items, and often a representation of the the conch shell was inlaid into furniture.
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