Chinese Song dynasty celadon bowl, with a flared lip and…
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Chinese Song Dynasty celadon bowl, with a flared lip and sloping sides, in tones of white to green, with crackle glaze, with unglazed circular foot, diameter 13 cm. Provenance: The collection of the late Dorothy Savage, latterly Dorothy Fu (1930-2010)

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  • Song Dynasty - The Song Dynasty was a ruling dynasty in China from 960 to 1279 AD. It was divided into two periods, the Northern Song (960?1127) and the Southern Song (1127?1279). The emperor was the ultimate authority, but he relied on officials who were selected based on their merit and skills rather than their family background or social status. The Song Dynasty was a period of great artistic and cultural achievements, particularly in the areas of poetry, painting, and calligraphy. The Chinese invented the printing press during this period, which revolutionized the spread of knowledge and ideas. During the Song Dynasty, China had a prosperous economy and was a centre of international trade, particularly in luxury goods such as silk, tea, and porcelain. The use of paper money became more widespread during this period, facilitating commerce and trade.  
  • Crackling and Crackle as a Decorative Technique - Crackle, also known as crackling, is a decorative technique that has been used in China for centuries. It is believed to have originated during the Song Dynasty (960?1279 AD) and was primarily used in the production of ceramics, lacquerware, and furniture. The crackling effect was achieved by applying a glaze or lacquer that was formulated to crack during firing, creating a crackled pattern on the surface of the item.

    During the Ming Dynasty (1368?1644 AD), crackle became a highly sought-after decorative technique, and it was used to create intricate and beautiful designs on ceramics and lacquer ware.

    In Western decorative arts, crackle / crackling came into use during the Art Nouveau movement in the late 19th and early 20th century. The crackling effect was used to create a sense of movement and fluidity in the design of Art Nouveau pieces.

    It was also used in the 1920s and 1930s during the Art Deco movement.

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