Georgian double series opaque twist cordial glass, c.1765, with…
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Georgian double series opaque twist cordial glass, c.1765, with petal blown bowl, with engraved grape vine frieze, above lace gauze double twist on heavy foot, slight chip underside, height 14 cm. Provenance: A number of pieces of the collection featured in the 'Circle of Glass Collectors Commemorative Exhibition 1937 - 1962', Victoria and Albert Museum, London, 1962 and 'Exhibition of English Glass', Victoria and Albert Museum, 1968.

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  • Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
  • Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.

    Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.

    The styles popular at the time of each reign were:

    George I (1714-1727) saw out the last years of the Baroque period.

    George II (1727-1760) reigned during the Rococo period.

    George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.

    George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.

    William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
  • Bowl - With drinking glasses, the bowl is the hollow section of the glass that holds the liquid. Many glasses were mounted on a stem joined to a foot, others were cylindrical, of tumbler shape. The size and shape of the bowl was determined by the type of liquids they were meant to hold. Shapes used included bell shaped, conical (funnel), bucket shaped, trumpet, cup, ogee, funnel, cylindrical and rounded.
  • Twist - A rod of glass in which there is one or several threads or tapes of coloured glass, or bubbles of air embedded, which is then twisted to give an attractive appearance. The technique is mostly associated with the stems of Georgian glasses. The technique was in use from about the 1740s to the 1760s.

    Collectors have identified over 150 variations of twist decoration. One of the most common is the air twist which as the name implies, has one or more columns of air embedded within the rod. A colour twist has one or more coloured tapes, usually opaque but sometimes translucent. other common types of twist include cable, corkscrew, enamel, gauze, lace, opaque and thread.
  • Engraved Glass - The method of decorating glass by marking the surface with a sharp intrument such as a diamond, metal needle or rotating cutting wheel. As pressure is applied to the surface, best results for engraving are achieved if the glass is of sufficient thickness. In the 19th century etching was used to decorate some table glassware that was too fine to take an engraving tool.

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