Doulton Lambeth jardiniere Marqueterie Ware. With marine…
click the photo to enlarge
Doulton Lambeth jardiniere Marqueterie Ware. With marine decoration. gilded fish, shells etc. By Miss a Wilson. Impressed mark to base Doulton Lambeth, England. Mark for 1891 - 1902, model 3249. Decoraters mark Tx3680* 11. Height 18 cm. (a/f star crack to body, sounds crisp)

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Firing Crack - A firing crack is a crack in a porcelain or stoneware item that occurs whilst the item is in the kiln.They are usually caused by faulty design, where one part is thicker than the surrounding area, and being thicker it cools more slowly, setting up a stress with the surrounding area. Firing cracks are not often seen on modern mass produced porcelain, as the damaged items are discarded during prooduction. However they are seen in earlier items and artisan-produced objects.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • A/f, as Inspected - The letters "A/F" or "as inspected" as part of a description is the cataloguer's shorthand for "all faults" or "as found", meaning the item has some type of damage or deficiency, it is of uncertain date or provenance, and/or that the seller takes no responsibility for the completeness of the item or the accuracy of the description.

This item has been included into following indexes:

Visually similar items

Chinese cloisonne censer, of baluster form, decorated with cartouches of birds and flowers, in tones of blue red and green, the whole raised on three ruyi feet, height 8.1 cm, width 10.2 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

William Merric (Merric) Boyd (1888-1959), a glazed earthenware relief moulded and incised vase, incised: Merric Boyd Australia Gum Tree, 17.5 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Unusual large Ming style blue and white jar. Marks to base. Dragon and phoenix design. Height 34 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Chinese blue and white ogee, form jar, decorated with five sinuous, five claw dragons amongst clouds, 19th century, 17 cm high, and 19.4 cm diameter at the mouth rim

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.