A coral set ring, oval cabochon stone, sterling silver gilded…
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A coral set ring, oval cabochon stone, sterling silver gilded band. Size M. Weight 3.8g

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  • Cabochon Cut in Jewellery - A cabochon cut is a type of gemstone cutting where the stone is cut and polished in a convex shape with a flat bottom and a domed top, with no facets. This type of cut is typically used for opaque or translucent stones that have natural patterns or inclusions that are best displayed in this type of cut. Examples of stones that are often cut as cabochons include turquoise, opal, and moonstone.
  • Coral - Coral used in jewellery. Coral is a material that is commonly used in jewellery making. It is made up of the skeletons of tiny marine animals called coral polyps. There are many species of coral, but only one group, Corallium, is suitable for carving, and thus can be used in jewellery manufacture. These have a deep red or pink orange skeleton and are known as "noble coral" or "precious coral".
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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