Italian Marble Centre Table with Lion Paw Monopodiae Standards

• Figured - A descriptive term to describe the patterns in the grain of timber. An object may be described as "well figured" or "highly figured" if the grain on a section of the object is highly patterned, as with flame mahogany or burr walnut.
• Gallery - On furniture, a gallery is a small upright section, frequently pierced and decorated, around the tops of small items of furniture, such as davenports, side tables, and so forth. Galleries are made in brass or bronze,and be fretted, pierced or solid timber. A three-quarter gallery is one that surrounds three of the four sides of a table, desk or other top.
• Griffin / Griffon / Gryphon - A griffin, also known as a griffon or gryphon, is a mythical creature with the body of a lion and the head of an eagle. It is typically depicted as a powerful and majestic beast, with the body and legs of a lion and the head, wings, and talons of an eagle. The griffin is widely recognized as a symbol of strength, courage, and guardianship, and has been used in a variety of cultures throughout history.
  
  In ancient mythology, the griffin was often associated with the gods and was considered a symbol of divine power. In ancient Greece, for example, the griffin was associated with the sun god Helios, while in ancient Egypt, it was associated with the goddess Hathor. In medieval European heraldry, the griffin was used as a symbol of strength, valour, and protection, and was often featured on the coats of arms of noble families.
• Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.
  
  Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.
  
  A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.
  
  Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.
  
  During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.
  
  The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.
  
  The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.
  
  From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.

This item has been included into following indexes:

• tables, Italian - Italian, centre and supper 25
• tables, purpose or type - centre 577