Six English Staffordshire Ironstone Willow pattern plates, c.…
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Six English Staffordshire ironstone Willow Pattern plates, c.1850, with chips & crazing, one with a large crack, diameter 21-24 cm

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  • Firing Crack - A firing crack is a crack in a porcelain or stoneware item that occurs whilst the item is in the kiln.They are usually caused by faulty design, where one part is thicker than the surrounding area, and being thicker it cools more slowly, setting up a stress with the surrounding area. Firing cracks are not often seen on modern mass produced porcelain, as the damaged items are discarded during prooduction. However they are seen in earlier items and artisan-produced objects.
  • Ironstone China - Credit for the invention of ironstone china is generally accorded to Charles Mason in 1813. Charles Mason was one of the two sons of Miles Mason who founded the Mason works in 1802, and ran the business with his brother George Mason.

    Ironstone was a heavy hard earthenware which was slightly translucent, its strength supposedly coming from a very small quantity of iron slag added to the mixture. The additional strength enabled the company to make larger objects that were not susceptible to breakage.

    The company manufactured dinner wares, toilet sets, tureens, jugs and so on, and the most popular patterns were blue and white, floral and Oriental Imari style colours.

    The trade name "Patent Ironstone China" was registered by the company in 1813, but the patent was only valid for 14 years and was not renewed, enabling other potteries to use the word "ironstone" in describing their wares.

    Mason wares are generally well marked with "Mason's Patent Ironstone China" .
  • Crazing - A network of fine cracks in the glaze of a ceramic item, caused by uneven shrinking during the firing process.
  • Willow Pattern - Although several potteries including Minton and Spode claim credit for design of the Willow pattern, the design is generally attributed to Thomas Turner of Caughley Porcelain Works in Shropshire, about 1780.

    Whilst borrowing from the Chinese style, it was not a copy of a Chinese pattern.

    The blue-and-white chinaware on which it appeared became immensely popular and the design was reproduced with variations by many English and European factories including Royal Worcester, Spode, Adams, Wedgwood, Davenport, Clews, Leeds and Swansea.

    It was even copied in Asia, where it is still produced, with the wares being exported to Western countries.

    The pattern portrays the garden of a rich mandarin whose young daughter elopes with his secretary. The lovers, overtaken on the bridge by her father, are transformed by the gods into birds and flutter beyond his reach. The scene with its willow tree usually covers the central part of a plate, dish, or bowl, with a border of butterflies, a fret, or other motif.

    Traditional Willow pattern is in cobalt blue on white, though very occasionally other colours are used, such as purple or brown. The main part of the object contains the trees, houses, bridge, figures, and birds of the story and there is usually a fairly abstract pattern around the extremities.

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