A Victorian mahogany lady's chair, 19th century, having a…
click the photo to enlarge
A Victorian mahogany lady's chair, 19th century, having a buttoned tablet back and a carved crest to the showframe, a serpentine stuffover seat above cabriole legs with whorl feet and porcelain casters, with cream blush damask upholstery, height 96 cm, width 56 cm, depth 76 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.

    Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
  • Cabriole Leg - The cabriole leg evolved from an elongated scroll, curving out at the knee which may or may not be carved, and forming a serpentine shape as it descends to the foot.

    First introduced into English furniture in the late 17th century, cabriole legs were widely used during the Queen Anne and early Georgian periods, where they frequently terminated in a pad foot or ball and claw foot. The style has had many imitators since then. The cabriole leg was re-introduced in the mid-19th century, and is commonly associated with the balloon-back dining or drawing-room chairs made in walnut, mahogany or, in Australia, cedar. The Victorian cabriole leg, on the whole, was rather more slender than the earlier form, following the French style, which emphasized the delicacy and daintiness of the chairs they were designed to support. Cabriole legs are sometimes found on windsor chairs, especially those made during the 18th century.
  • Damask - Damask is a type of fabric that is characterized by its glossy finish, smooth texture, and intricate designs. The fabric is typically made from a combination of silk and other natural fibers, such as cotton or linen, and is often used to make clothing, upholstery, and other decorative items.

    The origins of damask fabric can be traced back to ancient Rome and the Byzantine Empire, where it was used to make clothing and other textiles.

    The fabric is made by weaving the fabric in such a way that the design is created by the different reflectivity of the warp and weft threads, rather than by the use of dyed threads. The designs are often floral or geometric patterns and can be very intricate. The effect is a reversible fabric, with a glossy pattern on one side and a matte pattern on the other.

This item has been included into following indexes:

Visually similar items

Davenport 'Grapevine' Majolica tall tazza

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Chinese horn libation cup, 19th century, carved in relief to the exterior with a band of taotie masks on a key-fret background, surrounded by a border of key-fret design to both the mouth and foot rim, the handle pierced with numerous intertwined qilong,

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Sterling silver footed bowl, mark of S. Blanckensee & Sons Ltd., Chester, 1935, of oblong form with reticulated designs, the rim chased with garlonds of flower and fruit, hallmarked, approx. Weight 689 grams width 31 cm. Provenance: Private Collection, Syd

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A 18ct gold Foxtail chain, with S clasp, length 74 cm, weight 30.7g.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.