Ornamental milk jug mid 19th century, English Royal Worcester…
click the photo to enlarge
Ornamental milk jug mid 19th century, English Royal Worcester porcelain in the Arabesque style, model 590, painted & gilded, printed factory base mark for 1880, height 12.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Arabesque - The arabesque pattern is an ornamental design that features flowing, curving lines and elaborate geometric shapes. It is inspired by the art and architecture of the Islamic world and was developed at Fontainebleu France in the mid 16th century. Its use was spread through published engravings, and it is characterized by its intricate and highly decorative nature. The arabesque pattern is created using a repetitive motif that is repeated and interwoven to create a cohesive design. It was used as a form of decoration in art, architecture, textiles, pottery, furniture and ceramics and it is often used to add a sense of grandeur and sophistication to a design. The arabesque pattern is admired for its beauty and complexity, and it continues to be used in a wide range of decorative contexts today.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

Two gold damaged ring mounts, in 18ct yellow (2.8g) other in 14ct white (7.8g)

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A diamond set cross pendant, 18ct yellow gold, made as a large cross pendant, set throughout with sixteen uniform sized brilliant cut diamonds, each weighing approximately 0.11ct, claw set, totalling approximately 1.76ct, edged in diagonally ribbed gold wo

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Cantonese export ware brush pot vase similar decoration as above lot, 25.5 cm height

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

French three piece clock set, approx 41 cm high, 23 cm wide, 13 cm deep, has no key, no pendulum, modern battery powered movement (3)

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.