A pair of Regency revival coromandel mirrors, the fronts veneered in coromandel with elaborate ormolu mounts and rope twist borders. Set with antique glass panels. 20th century.
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- Calamander / Coromandel - Calamander wood, also known as coromandel wood or coromandel ebony, is a type of hardwood that comes from the Calamander tree (Diospyros quaesita), which is native to Sri Lanka, India, and Southeast Asia. The wood is known for its dark brown or black colour and its distinctive figuring, which can resemble a snakeskin pattern.
The wood is highly prized for its beauty and durability. It is often used in fine furniture making, particularly in the production of inlaid and marquetry work, as well as in the making of boxes, cabinets, and other decorative items. It is also used in the manufacture of flooring, paneling and other architectural applications.
Calamander wood is a very hard and heavy wood, it has a density of around 1.04 g/cm3. Its density and high natural oil content make it resistant to decay and insects, which is why it is a popular choice for outdoor furniture, flooring and other decorative items.
The wood is also used for turning and carving, but is difficult to work due to its high density and interlocking grain. However, it takes a high natural polish and has a beautiful lustre, which is why it is so sought after.
Due to the high demand and over-exploitation of the natural resources, the calamander tree is now a protected species, and the harvesting and export of the wood is heavily regulated.
- Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.
Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.
A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.
Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.
During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.
The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.
The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.
From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
- Panels - Timber pieces, usually of well-figured wood either recessed or applied over the frames of doors and as decoration elsewhere in the carcase of cabinet furniture. The panels may take a variety of shapes rectangular, square, shield shape, oval, half-round or in the form of Egyptian pylons.
- Regency Period - The Regency period in English furniture design refers to the period when King George III, was declared unfit to rule in 1811, and his son ruled as proxy as Prince Regent, until 1820, and then, after the death of his father as George IV until his death in 1830. The Regency period was preceded by the Georgian period (George I, George II, and George III: 1714 - 1811), and was followed by the William IV period, which only lasted until 1837 when William IV died as was succeeded by Queen Victoria.
- Mounts - Mounts are used to describe bronze, brass and ormolu adornments on furniture especially quality furniture in the rococo and classical revival style, and are also the cabinet makers' name for the metal fittings on furniture, such as hinges, locks and handles, and metal edges and guards which protect furniture from damage.
- Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.