Six blue and white transfer wares, in various Chinoiserie…
click the photo to enlarge
Six blue and white transfer wares, in various chinoiserie patterns, comprised of a cup and saucer by Hart & Son, a cup and saucer by William Ratcliffe, a single cup by Hart & Son, a single plate by Bailey, and a pair of dishes by Hart & Son. All with underglaze marks. England, circa 1835.

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Chinoiserie - Furniture and decorative items decorated in imitation of a Western interpretation of the Chinese style. The Chinoiserie style first became popular in the late 17th century, though there were frequent revivals, notably by Chippendale (hence 'Chinese Chippendale') during the Regency period, and the Anglo-Japanese style in the second half of the 19th century.

    The ubiquitous 'willow pattern' is the most common 'Chinese' theme used in porcelain, while on furniture the Chinoiserie style usually has black or red painted and lacquered decoration, though the hallmark of the furniture style is the use of fretwork in geometrical patterns, pagodas and other decorative forms.

    Japonaiseries, as the name implies, are motifs in imitation of the Japanese taste.

    See also "Chinese Chippendale".
  • Transfer Printed / Decorated Transferware - Transfer printing is method of decorating ceramics, reducing the cost of decoration when compared to employing artists to paint each piece. A print was taken on transfer-paper from an engraved copperplate, covered in ink prepared with metallic oxides, and the image on the paper was then applied to the biscuit-fired ceramic body. The print was fixed by heating the object in an oven, and then glazed, sealing the picture. Early transfer prints were blue and white, as cobalt was the only colour to stand firing without blurring. Early in the 19th century advances in the composition of the transfer paper resulted in better definition and detail, and enabled engravers to combine line-engraving with stipple.

This item has been included into following indexes:

Visually similar items

Four Chinese blue and white saucer dishes, Guangxu mark and period 1875-1908, each one decorated with five lotus heads, 14.1 cm diameter

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of Ming style blue and white dishes painted with deer, 23 cm diameter, and two other blue and white dishes 22 and 19 cm diameter

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of Chinese blue and white plates, Qing dynasty, 18th century, decorated with precious objects. 27 cm diameter. Provenance: Lane Gallery Paddington, 6/9/1985

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A pair of blue and white peony dishes Qing dynasty, Kangxi period, (2), each painted with a central medallion of peonies and rockwork within a frieze of flowers and rocks around the radially moulded sides with everted rim, ding marks, (2), 20.6 cm diameter

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.