18th Century Worcester Floral Plates
click the photo to enlarge
Two Worcester Dr Wall blue ground floral plates, late 18th century, circa 1770-1790, the first with a scalloped rim, painted with gilded scale blue borders and reserves of flowers. Fretted square mark in underglaze blue to reverse. The second painted with gilded blue borders and reserves of flowers. No mark to verso. 19 cm and 17.5 cm respectively. Provenance: The John Scarce Collection of Porcelain
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Verso - Verso is the "back" side of a sheet of paper, art work, coin or medal. The front side is "recto".
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
This item has been included into following indexes:
Visually similar items
Sold by
in
for
You can display prices in $Au, $US, $NZ or Stg.
Two Japanese Imari plates 21 cm diameter approx.
Sold by
in
for
You can display prices in $Au, $US, $NZ or Stg.
Two Chinese famille rose porcelain plates, Qing dynasty, circa 18th century, 21.6 cm and 22.7 cm diameter
Sold by
in
for
You can display prices in $Au, $US, $NZ or Stg.
Three 19th century Chinese export famille rose pieces, includes two plates and one serving dish, all with multi-figure, floral, bird and insect panels, gilt enrichments, minor damage. Diameters 19.7 cm, 24.8 cm and approx. 24 cm.
Sold by
in
for
You can display prices in $Au, $US, $NZ or Stg.