Three Chinese export porcelain tea vessels, late 18th century,…
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Three Chinese export porcelain tea vessels, late 18th century, the first a tea bowl and saucer, decorated with flower sprays in famille rose enamels within gilt cartouches surrounding a monogramed crest to centre for the Heanage family of Lincolnshire, circa 1755. The second a coffee can and saucer, decorated with bamboo and floral border above an elaborate cartouche with central monogram. The third a single coffee can decorated en grisaille with a mythical figure, surrounded by cornucopias. The tea bowl 4.5 cm high, 8.5 cm diameter. The coffee cans 6 cm high each. Provenance: The John Scarce Collection of Porcelain

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  • Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
  • Coffee Can - A coffee can is a cup for holding coffee, but of a cylindrical shape rather than the waisted shape of traditional cups. They were in use at the end of the 18th century and in the early 19th century.
  • Cartouche - An ornamental panel in the form of of a shield, oval or rectangular scroll with curling edges. It may be carved into the back of a chair or the top of a sideboard, or present on a piece of silver or jewellery, and contain the initials of the original owner, heraldic symbols, or some other inscription, such as the details of a presentation.

    In ceramics the term defines the central area of a vase or similar with a decorative border in one of the shapes above, into which a decorative scene or figures have been painted.
  • Grisaille -
    Decorative painting in monochrome, usually shades of grey, olive green or buff, painted on wood, plaster, ceramic or stone surfaces to imitate marble figural sculpture or relief ornament.


    Grisaille, from the French "gris", or grey (colour) is a painting technique in which a monochrome image is created using only shades of gray, black and white, usually created by using a gray underpainting or a limited colour palette. It is often used to create the illusion of sculpture or relief on a flat surface, and was commonly used during the Renaissance and Baroque periods.

    The technique of grisaille has been used in decorative arts for centuries. It was commonly used in the Renaissance and Baroque periods in Europe to create the illusion of sculptural relief on flat surfaces such as walls, ceilings, and furniture. This technique allowed artists to create the illusion of depth and dimensionality without the use of colour.

    During the Rococo period, grisaille was often used in the production of ceramics and porcelain to create finely detailed designs on a white or light-colored surface.

    In the 19th century, grisaille continued to be used in decorative arts, particularly in the production of ceramics, both Western and Oriental.

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