Deniere Paris Mantel Clock with Neo-Classical Figures

• Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
• Anchor Escapement - An anchor escapement is a type of mechanical escapement used in clocks and watches. It is a refinement of the older verge escapement, which was used in early mechanical timekeeping devices. The anchor escapement is characterised by the use of an anchor-shaped pallet that rocks back and forth, alternately locking and releasing the escape wheel. This action allows the movement of the watch or clock to be regulated, producing the characteristic tick-tock sound that is associated with mechanical timekeeping devices. The anchor escapement is generally more accurate and reliable than the verge escapement, and it is still used in many modern clocks and watches today.
• Neo Classical - The period or style, known as "neo-classical", was based on Greek and Roman designs and motifs, and is usually associated with the influence of the four Adam brothers, but principally Robert Adam, the second oldest of the brothers, who were architects and designers, active in the latter half ot the 18th century (1760s to 1790s).
  
  Born in Scotland in 1728, Robert Adam spent time in Italy studying and his designs are influenced by the finds made during the excavation of Pompei.
  
  When he returned to England he became the Court Architect to George III (1738-1820).
  
  In turn, designs by Adam then influenced Hepplewhite.
  
  Neo-classical ornamentation is characterised by use of classical urns, palmettes, mythical creatures such as the sphinx and griffin, ram's heads, swags, scrolling foliage, and use of the Greek key pattern.
• Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
  
  The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
  
  It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
• Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
• Laurel Leaf - The use of the laurel leaf as a decorative element can be traced back to ancient Greece and Rome, where it was closely associated with victory and honour. In these cultures, the laurel was a sacred tree that was dedicated to the god Apollo and was believed to have protective and healing properties.
  
  In ancient Greece, the laurel wreath was awarded to victors in athletic competitions, such as the Olympic Games, as a symbol of their achievement. The wreath was also associated with academic achievement, and was often worn by scholars and poets. The Greeks also used the laurel leaf as a symbol of victory in war, and it was often depicted in artwork alongside images of triumphant warriors and heroes.
  
  The Romans continued this tradition, and the laurel wreath became a symbol of the highest military honor, the triumph, awarded to victorious generals. The wreath was also used to crown emperors and other important officials, and was often depicted in Roman art and architecture as a symbol of power and authority.
  
  The laurel leaf is still used as a symbol of achievement, success, and excellence, and is frequently used in logos, emblems, and other branding materials. Its association with victory and honour has made it a popular choice for awards, medals, and other forms of recognition.
• Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.

This item has been included into following indexes:

• clocks, mantle & shelf, material or style
  • gilt metal / ormolu 547
  • musical 59
• clocks, mantle & shelf, period or origin
  • French 761
  • Victorian 493