An outstanding French bronze and ormolu pink Sevres hand…
click the photo to enlarge
An outstanding French bronze and ormolu pink Sevres hand painted garniture clock set. Signed by the Maker Nathan & Co Paris. Supported on gilded wooden shaped bases and under three glass domes. Clock 40 cm high.

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.

    The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.

    It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.

This item has been included into following indexes:

Visually similar items

Phillipe Mourey gilt clock garniture having painted porcelain panels featuring classical courting scenes & cherubs, with the movement stamped 'Gf', with a key & pendulum. Condition: good to fair, some loose pieces, needs a service. Height 33.5 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

French three piece clock set, approx 41 cm high, 23 cm wide, 13 cm deep, has no key, no pendulum, modern battery powered movement (3)

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Louis XVI ormolu & red marble clock garniture c.1890

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Antique French mantle clock & marble garnitures, the shaped marble case with glazed sides, mounted with a bronze eagle on a globe, along with a pair of twin handled urns, clock 46 cm high urns 31 cm high

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.