A Straites Chinese/ Indonesian mirror on stand, 19th century,…
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A Straites Chinese/ Indonesian mirror on stand, 19th century, modelled as a small chest with drawers, on cabriole legs with an elaborate pierced and carved apron, with a mirror frame atop the chest supported on two guardian lions, the whole intricately carved in relief with foliate and animal designs, decorated with red paint and gilding, 73 cm x 35 cm x 21 cm. Wear to the gilding, some minor chips and losses, some draw require re-gluing. Separation between the legs and the chest of drawers. Losses to the moulding on both front corners. Ageing apparent to the mirror plate.

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  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Foliate - Decorated with leaves or leaf-like forms.

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