Pair of Regency cedar dining chairs, with carved top rail and…
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Pair of Regency cedar dining chairs, with carved top rail and moulded horizontal splat, drop in seat, on sabre legs (2)

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  • Rail - A term used by cabinet makers for the horizontal sections of the frame of an item such as a chair or settee which have a front rail, a back rail and two side rails, and also on a door or carcase, where the rails are joined to the vertical framings.
  • Drop in Seat - Mostly used on Regency upright chairs, a drop in (or "drop on") seat is an unsprung removable seat where the upholstery is attached to a wooden frame, which is held in place by the sides of the chair, and usually a wooden peg at the front of the chair. An inset upholstered seat is of the same construction, but it sits within a frame whose perimeter includes four sides of the chair.

    Because the upholstery frame was not very deep, the seats were relatively uncomfortable. In the mid 19th century coiled upholstery springs came into use and frame of the chair was used as the upholstery frame, making for a much more comfortable and responsive seat.

    This type of seat was known as an over-upholstered or over-stuffed seat.
  • Regency Period - The Regency period in English furniture design refers to the period when King George III, was declared unfit to rule in 1811, and his son ruled as proxy as Prince Regent, until 1820, and then, after the death of his father as George IV until his death in 1830. The Regency period was preceded by the Georgian period (George I, George II, and George III: 1714 - 1811), and was followed by the William IV period, which only lasted until 1837 when William IV died as was succeeded by Queen Victoria.
  • Splat - The central back support between the top rail and the seat in chairs and couches. They may take a variety of forms, and run either horizontally or vertically.
  • Sabre Leg - The sabre leg is commonly associated with chairs made in the Regency or classical revival manner of the early 19th century. The form was copied from designs of the ancient Grecian chair known as a klismos found on painted classical vases. The characteristic of the sabre leg is a wide, sweeping backward curve which was frequently reeded, similar to a sabre. The sweep of the front legs was sometimes complemented by a corresponding curve in the back legs of the chair, though on most domestic furniture the sweep of the rear support was not as pronounced. Sabre legs are often encountered in reproductions of the regency style. They are uncommon in Australian furniture where, by and large, colonial craftsmen preferred to use turned legs.

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