Walnut single bed Napoleon III burr walnut, with gilded…
click the photo to enlarge
Walnut single bed Napoleon III burr walnut, with gilded highlights and columns, height 131 cm, length 217 cm, depth 120 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Burr - Burr (or in the USA, burl) is the timber from the knotted roots or deformed branch of the tree, which when cut, displays the small circular knots in various gradations of colour. It is always cut into a decorative veneer, most commonly seen as burr walnut on 19th century furniture.
  • Column - An architectural feature sometimes used for decorative effect and sometimes as part of the supporting construction. Columns should generally taper slightly towards the top. They may be plain or decorated with carving, fluting or reeding. Columns may be fully rounded or, more commonly, half-rounded and attached with glue, screws or pins to the outer stiles of doors, or the facing uprights on cabinets and bureaux.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

This item has been included into following indexes:

Visually similar items

An early Colonial double ended settee, Australian cedar, circa 1835 235 cm across the arms

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A rare gilt, polychromed and carved sarcophagus shaped cassone, Northern Italian, 16th/17th century. Provenance: The Elizabeth Dangar Collection, Sothebys, June 2001, Sydney

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Impressive Biedermeier flame mahogany sofa mid to late 19th century

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A French transitional period commode with a yellow marble top above three drawers with brass banding. 83 cm high, 129 cm wide, 58 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.