A Royal Doulton Lambeth vase, signed by Louisa Davis. This…
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A Royal Doulton Lambeth vase, signed by Louisa Davis. This stunning stoneware vase is of bulbous shape standing on a narrow rounded pedestal foot and with a short trumpet shaped top. The body of the vase is decorated with an incised trailing floral and leaf design around the body. The designs are painted in blues and browns and set against a salt glazed ground with an impressed daisy flower design. The vase has an impressed Doulton Lambeth mark to the base including the date 1882 and has various other marks including incised monograms for Louisa J Davis and RB. Height 25 cm

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  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.
  • Salt Glazed - Salt glazing involves throwing salt into the kiln when it is at its highest temperature, usually around 2,300 to 2,400 degrees Fahrenheit (1,260 to 1,320 degrees Celsius). The salt vaporizes and forms a glaze on the surface of the pottery, creating a range of effects depending on how the salt is applied and the firing conditions. This glazing method was first developed in Germany in the 15th century and quickly became popular throughout Europe and North America. It was particularly popular for making stoneware pottery, such as jugs, crocks, and other utilitarian objects.

    Salt glazes can produce a range of colors, including gray, brown, blue, and even pink or purple in some cases. The texture of the glaze is typically rough and pebbled, with a matte or satin finish. The process of salt glazing can be unpredictable, with variations in temperature and salt application leading to subtle variations in the finished product.

    Salt glazing is still used by potters and ceramic artists although it is less common than it was in the past.

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