A Victorian oak Glastonbury chair, the design attributed to A.W.…
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A Victorian oak Glastonbury chair, the design attributed to A.W.N. Pugin, of typical pegged construction, the panel back incised with the date 1877 within a star, flanked by relief carved shaped arms, above the panel seat, on X-frame side supports, height 90 cm, width 65 cm, depth 48 cm. Other Notes: The Glastonbury chair form was very popular in the nineteenth century, owing to the belief that it was based on a medieval prototype. The numerous versions made were based on a chair found at the Bishops Palace, Wells. However, the exact history and age of the Wells chair are uncertain. Pugin visited Wells in 1835 or 1836 and the chair he subsequently designed follows the shape of the Wells example exactly, but omits the carved decoration of the arms and back.

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  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.

    Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,

    Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.

    Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
  • Glastonbury Chair - A Glastonbury chair is a term applied to a type of English folding chair where, from a side view, the legs form an "X". They were supposedly named after a design of a similar chair by the Abbot of Glastonbury in the16th century.

    Contrast this with a Savonarola or "X" chair, traditionally made in Spain and Italy, where the 'X" of the legs is visible from the front or rear of the chair.
  • Pugin - Augustus Welby Northmore Pugin, (1812-52) was an architect and designer and leader of the Gothic Revival movement which was so important an influence on Victorian taste. His father had an architectural drawing school, and artists from that school, including Pugin, then 15 years old, were employed to make drawings of the furniture to be taken to Windsor palace. Later in the year he was employed to design and make working drawings of furniture for the palace. He also designed silver for the royal goldsmiths Rundell Bridge & Rundell. By the 1830s he was insisting on historical accuracy, and published a number of influential books on the Gothic style. He was responsible for furniture in the Houses of Parliament (1836-7) the design of the tower that houses Big Ben. He became a Catholic in 1833, and he and his son Edward Welby Pugin (1834-75) designed and built several churches. In his short life, he married three times. After his death Pugin's two sons, Edward Welby Pugin and Peter Paul Pugin, continued operating their father's architectural firm under the name Pugin & Pugin.
  • Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
  • Incised - A record of a name, date or inscription, or a decoration scratched into a surface, usually of a glass or ceramic item with a blunt instrument to make a coarse indentation. Compare with engraving where the surface is cut with a sharp instrument such as a metal needle or rotating tool to achieve a fine indentation.

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