Etched grapevine cordial glass with cotton twist stem

• Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.
  
  The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving.
• Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.
  
  Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.
  
  The styles popular at the time of each reign were:
  
  George I (1714-1727) saw out the last years of the Baroque period.
  
  George II (1727-1760) reigned during the Rococo period.
  
  George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.
  
  George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.
  
  William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
• Bowl - With drinking glasses, the bowl is the hollow section of the glass that holds the liquid. Many glasses were mounted on a stem joined to a foot, others were cylindrical, of tumbler shape. The size and shape of the bowl was determined by the type of liquids they were meant to hold. Shapes used included bell shaped, conical (funnel), bucket shaped, trumpet, cup, ogee, funnel, cylindrical and rounded.
• Twist - A rod of glass in which there is one or several threads or tapes of coloured glass, or bubbles of air embedded, which is then twisted to give an attractive appearance. The technique is mostly associated with the stems of Georgian glasses. The technique was in use from about the 1740s to the 1760s.
  
  Collectors have identified over 150 variations of twist decoration. One of the most common is the air twist which as the name implies, has one or more columns of air embedded within the rod. A colour twist has one or more coloured tapes, usually opaque but sometimes translucent. other common types of twist include cable, corkscrew, enamel, gauze, lace, opaque and thread.
• Stem - In drinking glasses the stem is that section of the glass that joins the bowl to the foot. In mass produced glasses is usually solid and of cylindrical shape, but in antique drinking glasses it may be long and short and in various styles or with decoration, such as air twist, baluster, collared, faceted, hollow, knopped, teardrop, twisted or incised.
• Grapevine Motif - The grapevine motif is a decorative design that features grapevines, leaves, and grapes and is commonly used in various forms of art and decoration, including jewellery, textiles, pottery, and architecture.
  
  In jewellery, the grapevine motif is often used to create decorative elements such as pins, brooches, necklaces, and bracelets. The design can be executed in a variety of materials, including precious metals such as gold and silver, and can be embellished with gems or enamel.
  
  The grapevine motif is a popular symbol in many cultures, representing abundance, prosperity, and fertility. In ancient times, grapevines were associated with Dionysus, the Greek god of wine and celebration, and were used to decorate wine vessels, temples, and other sacred objects.
  
  In addition to its cultural significance, the grapevine motif is also appreciated for its aesthetic appeal. The intertwining branches and clusters of grapes create a graceful, flowing design that is both beautiful and versatile. Whether used in jewellery, textiles, or other forms of decorative arts, the grapevine motif continues to be a popular and enduring symbol of abundance and prosperity.

This item has been included into following indexes:

• cordial glasses - Georgian glass 87
• glass, types or items - Georgian twist stem glasses 218