A stained cedar and pine chest of drawers, 19th century, a cherry coloured chest with a serpentine top comprising a central hat drawer, flanked by a pair of short drawers and a deep drawer with a faux front, three long drawers of graduated depth all with turned knob handles, with bobbin turned supports to the sides and raised on squashed bun feet, height 120 cm, width 117 cm, depth 56 cm
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- Bobbin Turning - This turning resembles a series of compressed spheres, not unlike a row of beads or bobbins. Commonly associated with Jacobean-style furniture, bobbin turning is also found on a wide variety of small cedar and pine tables and washstands made in Australia during the late 19th century and up to the first world war.
- Serpentine - Resembling a serpent, in the form of an elongated 'S'. A serpentine front is similar to a bow front, except that the curve is shallow at each end, swelling towards the middle. The term presumably derives from its similarity to a moving snake or serpent. Serpentine fronts are usually veneered, with the carcase either being cut and shaped from a solid piece of timber, or built in the 'brick' method.
- Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.
- Faux - A French word meaning "false", but when used in decorative arts, the intention is not to deceive, but to simulate the decorative effects of the more expensive material it is imitating. The term " faux bois" meaning "false wood" refers to a furniture item that has been decorated with a marked grain (woodgrain finish) to imitate a more expensive timber.
- Bun Feet - Similar to ball feet, though somewhat compressed or flattened in appearance. Introduced during the late 17th century, but they have been used on furniture up to the present day.
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