Two European subject tankards Qing Dynasty, Qianlong period, of slightly waisted form, comprising one painted in grisaille with figures sleeping beneath a tree; the other in famille rose enamels with a draped figure seated playing a lyre, 14.5 cm and 13.5 cm high, A dish decorated with the same subject as the first tankard and a teapot decorated with the same subject as the second tankard are illustrated by Thomas V. Litzenburg, Jr., Chinese Export Porcelain in the Reeves Centre Collection, Lexington, Virginia, no 179 p, 183 and no 191, p. 192, where the subject matter is discussed. Provenance: The Collection of the late Bjarne Nielsen
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- Ming Dynasty - The Ming Dynasty was a ruling dynasty of China from 1368 to 1644. It succeeded the Yuan Dynasty and preceded the Qing Dynasty. The Ming Dynasty was established by Zhu Yuanzhang, a former Buddhist monk who became a rebel leader and eventually overthrew the Mongol Yuan Dynasty. During the Ming Dynasty, China experienced a period of relative stability and prosperity. The government was centralized and bureaucratic, with the emperor at the top of the hierarchy. The Ming Dynasty is known for its cultural achievements, including the development of porcelain, the invention of movable type printing, and the construction of the Great Wall of China.
- Qing Dynasty - The Qing Dynasty was the last imperial dynasty of China, ruling from 1644 to 1912. It was established by the Manchu people, who originated from the northeastern region of China. The Qing Dynasty was preceded by the Ming Dynasty and followed by the Republic of China.
- Grisaille -
Decorative painting in monochrome, usually shades of grey, olive green or buff, painted on wood, plaster, ceramic or stone surfaces to imitate marble figural sculpture or relief ornament.
Grisaille, from the French "gris", or grey (colour) is a painting technique in which a monochrome image is created using only shades of gray, black and white, usually created by using a gray underpainting or a limited colour palette. It is often used to create the illusion of sculpture or relief on a flat surface, and was commonly used during the Renaissance and Baroque periods.
The technique of grisaille has been used in decorative arts for centuries. It was commonly used in the Renaissance and Baroque periods in Europe to create the illusion of sculptural relief on flat surfaces such as walls, ceilings, and furniture. This technique allowed artists to create the illusion of depth and dimensionality without the use of colour.
During the Rococo period, grisaille was often used in the production of ceramics and porcelain to create finely detailed designs on a white or light-colored surface.
In the 19th century, grisaille continued to be used in decorative arts, particularly in the production of ceramics, both Western and Oriental.
- Lyre Motif - The lyre motif is an ancient decorative design that is believed to have originated in ancient Greece, where the lyre was a popular musical instrument. The lyre itself was often decorated with ornate carvings and designs, including the iconic lyre motif.
In ancient Greek mythology, the lyre was associated with the god Apollo, who was the patron of music and the arts. The lyre was said to have been invented by the god Hermes, who presented it to Apollo as a gift. As a result, the lyre became a symbol of creativity, inspiration, and artistic expression.
The lyre motif typically features a curved or S-shaped body, with strings extending upwards from the base. The motif was often used in architectural decoration, as well as on pottery, jewellery, and other decorative objects.
This item has been included into following indexes:
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Chinese ceramics, dynasty mark or period - various items, Qianlong mark (1736-1795)
494
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Chinese ceramics, export ware - export ware, bowls and dishes
270
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Chinese ceramics, famille - bowls and dishes, famille rose
638
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Chinese ceramics, famille decoration - famille rose, fencai, yangcai, other
1,392
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Chinese ceramics, item type