Carlo Bugatti wall cabinet with letter racks, walnut inlaid with pewter, bone and copper, c1888 - 1890, 147 cm high, 55 cm wide, 27 cm deep. Bugatti's ideas were much inspired by Moorish, Islamic and Japanese design and he was no doubt influenced by the general European interest in Orientalism during the late nineteenth century. It is, nevertheless, Bugatti?s idiosyncratic combination of these cultural styles that make his furniture so unusual. His approach to furniture design was to treat it as an opportunity for artistic creativity. This piece is a mirror-image of the cabinet exhibited by Bugatti at the Italian Exhibition in Earl's Court, London in 1888. Bugatti exhibited nine pieces of furniture, to which a full page was devoted in the 7th July 1888 edition of The Queen: The lady's Newspaper and descriptions of his work appeared in several other publications. The wall cabinet was listed as item number 7. The reviews were overwhelmingly enthusiastic and Bugatti was awarded a diploma of honour, his work also having impressed the organisers of the Exhibition.
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- Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
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