A cased glass pedestal bowl for the Australian market by Vicke Lindstrand for Kosta, Sweden, the amber glass deeply etched with a continuous frieze of kangaroos, signed 'Lindstrand 1970' to base, Kosta label, diameter 16 cm, height 13 cm
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- Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
- Etched - Glass decorated with an etched design, which is achieved through marking out the pattern, protecting the area that is not be etched, and then immersing the object in acid to dissolve the surface of the unprotected area. With some glass objects, such as cameo glass, there may be several layers of different coloured glass, and part of the top layer is dissolved leaving the bottom layer as the background. The longer the time of exposure of the object to acid, the deeper the etching.
The word etching is also sometimes used to describe another method of decoration, where wheel grinders were used decorate the surface, but this technique is usually known as engraving.
- Cased Glass - Cased glass is a type of glassware that is made by sandwiching a layer of one colour of glass between two layers of another colour of glass. This technique is also known as "slip-casting" and "slip-decorated" or "overlay" glass. The process creates a decorative effect by contrasting the colours of the outer layers with the inner layer. The outer layers can be clear, opaque or coloured and the inner layer can be a different colour, or it can be left clear to create a more subtle effect.
The technique was first developed in the 19th century, primarily in Europe, and it was used to produce a wide range of decorative glassware such as vases, bowls, and bottles. Cased glass was particularly popular during the Art Nouveau period, when many glassmakers, including Loetz, Galle, Steuben and Tiffay began to experiment with different colours and designs to create unique and striking pieces of glassware.
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