Good antique fold away travelling / campaign desk with fitted…
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Good antique fold away travelling / campaign desk with fitted interior, marquetry inlaid outer panels and x frame base, 55 cm wide, 56 cm deep open, 79.5 cm high open

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  • Panels - Timber pieces, usually of well-figured wood either recessed or applied over the frames of doors and as decoration elsewhere in the carcase of cabinet furniture. The panels may take a variety of shapes rectangular, square, shield shape, oval, half-round or in the form of Egyptian pylons.
  • Campaign Furniture - Most of the campaign furniture on the market is associated with the time of the British Empire in the 18th and 19th centuries when there was a high demand from military officers, administrators and colonists.

    Campaign furniture is demountable, through clever use of wooden screws and sometimes metal hinges, so that it can disassembled and then packed into lots of manageable size for ease of movement by ship or animal between postings or camps.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed
  • Marquetry - In marquetry inlay, contrasting woods, and other materials such as ivory, shell and metal are inlaid either as panels or in a single continuous sheet over the surface of the piece. The design may be straightforward, such as a shell pattern or a basket of flowers, or it may be infinitely complex, with swirling tendrils of leaves, flowers and foliage, such as one finds, for example, in the "seaweed" patterns on longcase clocks of the William and Mary and Queen Anne periods.

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