Louis XVI Scagliola Gueridon by Daguerre

• Reeding - A series of parallel, raised convex mouldings or bands, in section resembling a series of the letter 'm'. The opposite form of fluting, with which it is sometimes combined. Reeding is commonly found on chair legs, either turned or straight, on the arms and backs of chairs and couches and around table edges in the Neoclassical or Classical Revival manner. Reeding was also used as a form of decoration during the Edwardian period, but it is usually much shallower and evidently machine made.
• Castors - Wheels, fitted especially to chair legs, couches, tables and some smaller pieces of furniture, to enable them to be easily moved about. The earliest castors were of brass, with shanks fitting into the base of the leg, and the wheels often made of leather. In the late 18th century, brass 'bucket' or 'cup' castors were introduced, either rounded or square, fitting directly over the end of the leg and held in place with screws. The wheels were generally solid brass. Bucket/cup castors continued in use throughout the 19th century and indeed are still made today. In the later 19th century wheels were sometimes made of wood, china, either white or brown, and sometimes of steel.
• Scagliola - A process used in architecture, and manufacture of objects, where various colours of marble chips were embedded into a cement mix, which was usually white, in imitation of marble. Usually there was no pattern followed; the chips were embedded randomly unlike pietra dura which as well as incorporating semi precious stones, was usually laid out in a geometric or naturalistic pattern.
  
  The process had been known since Roman times but was revived in Italy in the 17th century. Scagliola was incorporated into the interior design of some important English houses in the early 18th century and Italian crafsmen were brought over to install the material.
  
  Scagliola was also used to make table tops, columns, pedestals and busts.
• Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
• Attributed - A cataloguing term where the item in the opinion of the cataloguers, is a of the period of the artist, craftsman or designer, and which probably in whole or part is the work of that person.
• Paw Feet - A paw foot is a base of a furniture leg that resembles the paw of an animal, such as a lion or bear. It is a decorative feature that is often seen in traditional furniture designs, particularly in styles such as Chippendale, Queen Anne, and Georgian. A paw foot typically consists of a carved or moulded ball or disk at the bottom of the leg, which is then carved or shaped to resemble the toes or claws of an animal. The foot may be smooth or textured, depending on the design, and may be finished in a variety of materials, such as wood, metal, or even marble.
  
  Paw feet are often used on heavier pieces of furniture, such as chests, tables, and chairs, to provide additional stability and support. They are also used as a decorative element, adding a touch of elegance and sophistication to the overall design.
  
  "Hairy paw feet" is a term used to describe a variation of the foot design that features a carved or sculpted animal paw, such as a lion or bear, with hair or fur details. The hair or fur details were often carved in a realistic manner and added to the overall decorative effect of the furniture. Hairy paw feet were commonly found on furniture items such as tables, chairs, and cabinets and were popular in the 18th century.  
  
  

• Gueridon - The French term originally the name for a small stand for a candelabrum, but now used to describe any small circular topped table or pedestal, often with an intermediate shelf and on three legs..
• Lappet Decoration - In the context of furniture, ceramics, and oriental wares, the word "lappet" refers to a decorative motif that consists of a repeated pattern of stylized or abstracted "lappets."
  
  A lappet in this context is a decorative element that resembles a small, hanging flap of cloth or fabric, but rather are stylized patterns that resemble the shapes and folds of lappets. They can be found on a wide range of objects, including furniture, vases, bowls, and plates.
  
  Lappet decoration can take many different forms, but typically consists of a series of semi-circular or pointed shapes that are repeated in a continuous pattern. The shapes may be simple or highly ornate and may be arranged in a regular or irregular pattern. The design may also include other decorative elements, such as floral or foliate motifs.
  
  Lappet decoration is often associated with Asian design traditions, and can be found on a wide range of objects from these regions, including Chinese porcelain, where lappet decoration is often used as a symbol of abundance and prosperity, and is believed to have protective and auspicious qualities.
• Provenance - A term used to describe the provable history of an antique or work of art, and thus an additional aid to verifying its authenticity. Provenance can have an inflating effect on the price of an item, particularly if the provenance relates to the early settlement of Australia, a famous person, or royalty. Less significant are previous sales of the item through an auction house or dealer.

This item has been included into following indexes:

• gueridon (small table) 33
• tables, French - French, wine and ocasional 558