A pair of Chinese cinnabar and gilt metal vases, circa 1st half 20th century, decorated with shaped reserves to both sides with figures in landscapes, the ground carved with scrolling lotus flowers. Gilt metal mounts to the foot and mouth rims, and lion mask and ring handles to the shoulders. Blue enamel interiors and within the foot rim. Each 29.5 cm high, 19 cm wide. Provenance: The Rothschild collection, Melbourne
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- Cinnabar - Cinnabar is an intense deep red colouring agent that has been in use for thousands of years, derived from crystalised red mercuric suphide. It is made into a coating by grinding ore into a fine powder then mixing the powder with lacquer made from the sap of the Rhus tree, which grows in East Asia.
As applied to Oriental antiques, cinnabar refers to successive layers of laquer applied to the metal base of an object. Once the coating has dried and hardened, a further layer is applied. The layers continue to be applied until the thickness is 3 to 6 mm, and this may take up to 200 to 300 coats. At this stage, the surface is ready for the carving, that is characteristic of cinnabar items.
Because of the labour required, cinnabar items are usually small, such as vases, boxes, trays and snuff bottles.
However buyers should be aware that the cinnabar technique has been copied using modern plastic type materials that are moulded rather than carved. A close examination of a genuine cinnabar item under a strong magnifying glass or jewellers loupe should show evidence of the many layers that make up its thickness, and possibly tool marks left by the carver.
- Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
- Lion Mask - The lion mask has been used for centuries in various forms of art and design, including furniture, silver, and ceramics, and is usually y depicted as a stylized representation of the face of a lion, often with an open mouth and protruding tongue. and is often used as a handle, knob, or other decorative element.
In furniture design, lion masks were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as decorative elements on the legs or arms of chairs, as well as on cabinet and drawer pulls. It was also used as a handle, knob, or other decorative element.
In silverware design, lion masks were often applied to tea and coffee pots, as well as on candlesticks, snuff boxes, and other small silver items. The lion mask was often used in combination with other neoclassical motifs, such as laurel wreaths or acanthus leaves, to create a sense of grandeur and classical elegance.
In ceramics, lion masks were often depicted in relief, and were sometimes used in combination with other decorative elements, such as garlands or swags.
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