Gilded French Girandole Mirror with Candle Sconces
click the photo to enlarge
A late 19th century French gilded girandole mirror with candle sconces
You must be a subscriber, and be logged in to view price and dealer details.
Subscribe Now to view actual auction price for this item
When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.
This item has been sold, and the description, image and price are for reference purposes only.
- Girandole - A girandole is a type of candle holder or candelabra that features several branches or arms for holding candles. It is often used as a decorative piece and can range in design from simple and functional to highly ornate and elaborate. Girandoles can be made from a variety of materials, including metal, glass, ceramic and crystal, and can be found in a range of sizes, from tabletop models to large floor-standing pieces, as well as sidelights on wall mirrors and accessories in a clock set.
- Girandole - An ornate candle sconce, usually with several lights and combined with an ornate mirror to reflect the light, made to be attached to the wall. Sometimes also used to refer to a mirror with sconces.
They reached their height of their popularity in England and France in the second half of the 18th century, - Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
This item has been included into following indexes:
- mirrors, wall, period, age or style