Greg Daly (Australian, b. 1954), large Iridescent Grasses bowl, 2016, large wheel-thrown ceramic bowl, with iridescent lustre glazes in shades of blue, indigo and yellow, artist's signature and date to base, together with centre ball sculpture (2), height 11 cm diameter 50 cm. Provenance: Sabbia gallery, March 2016, the collection of Lorna Mellor AM, Padulla Place, Castle Cove, house designed by Peter Swan and interiors by Marion Hall Best, c. 1964.
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- Iridescent Decoration of Porcelain - Iridescent decoration of porcelain is a technique in which a thin layer of metallic glaze is applied to the surface of porcelain to create a shimmering, rainbow-like effect. The metallic glaze is usually made with a mixture of metal oxides, such as gold, silver, or platinum, that are fused to the surface of the porcelain during firing.
This technique was first developed in the late 19th century, and was particularly popular in Art Nouveau and Art Deco styles of decorative art. Iridescent decoration of porcelain can create a wide range of colours and patterns, depending on the types of metal oxides used and the firing techniques employed. It is a highly skilled and labour-intensive process, requiring a great deal of technical expertise and attention to detail. Today, iridescent porcelain remains a popular and highly valued form of decorative art.
- Lustre Ware - Lustre decoration on ceramics is created by painting a thin deposit of metal oxide such as gold, silver or copper onto the surface, and then firing the item again, so that metal oxide forms a thin film on the surface. The finished effect is a shiny metallic surface. The technique was used in the 19th century by potteries such as Crown Devon, Grimwades, Maling, and Royal Doulton. However the best known use was by Wedgwood for its Fairyland lustre.
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