Eight day moon phase Welsh longcase clock the dial marked J…
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Eight day moon phase Welsh longcase clock the dial marked J Wootnough of Carnarvon, in oak case with some mahogany cross banding, twisted turned columns through trunk and double twisted turned columns to the hood, 239.4 cm high, 55 cm wide, 28 cm deep

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  • Moon Dial - If we imagine life in the 17th century, the only source of ascertaining the time of day or night would have been the local church or municipal clock striking every quarter hour, and able to be heard by all in the village. In England, when longcase clocks became popular and more affordable in the late 17th century, the function of timekeeping and source of time was moved to within the home.

    An additional feature on some longcase clocks was to display the phases of the moon, that is the new moon, the full moon and the waning moon over the lunar 29 ½ day cycle. This information was important for farmers for working out cropping schedules; for travellers to know the amount of moonlight on a night they planned to travel; and for those who lived near the sea required knowledge of the tides.

    Where included, the moon dial is usually in the form of a disc incorporated into the main dial plate, usually in the arched top section. The lunar cycle starts with the new moon displaying, which is a dark night sky and no man-in-the-moon face being displayed, and then progresses to the full moon face showing on the 15th day of the lunar cycle, and back to no face displaying as the moon wanes. Most lunar dials are partially concealed on each side of their opening in the main dial plate by semi-circular "humps" that allow the painted face to emerge slowly just as the real moon goes out of and back into the earth's shadow.

    Nowadays, details of the lunar cycle is published in diaries, almanacs, and newspapers and although some modern longcase clocks are still manufactured with working moon dials, they are more for decoration than for use.
  • Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.

    Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,

    Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.

    Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
  • Hood - In longcase clocks, the hood is the wooden case that surrounds the works and dial, and includes the glass front, which is usually hinged, so the door can be opened to wind the clock or adjust the time. In 18th and 19th century longcase clocks the hood usually slides forward for removal, allowing access to the works.
  • Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.

    Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.

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