A Victorian sterling silver Renaissance revival centrepiece,…
click the photo to enlarge
A Victorian sterling silver Renaissance revival centrepiece, 1886 London, with maker's mark for Goldsmiths' Alliance Ltd, in the Cellini style with a domed base and urn stem supporting the original flared lobed glass dish, richly cast and chased in relief with ornately reserved mask heads, the conforming stem also with demi-figures, flora and stags upon a matted ground, raised on scroll buttress style feet, hallmarked to base, silver weight 1209gr height 40 cm, length 31 cm, width 28 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Goldsmiths' Alliance - The Goldsmiths' Alliance was a trade association for goldsmiths and silversmiths in London, England. It was founded in the late 19th century and was active until the 1960s. The organisation represented the interests of goldsmiths and silversmiths in London and provided a range of services to its members, including legal assistance, business advice, and financial support. It also promoted the work of its members and helped to ensure that high standards of craftsmanship and ethics were maintained within the industry. The Goldsmiths' Alliance was affiliated with the Goldsmiths' Company, which is one of the oldest and most prestigious goldsmithing organizations in the world.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Cellini Pattern or Style - Cellini pattern or style refers to the decoration of silverware characterized by ornate, highly detailed designs. These designs often feature figures, animals, and other decorative elements that are inspired by classical mythology and the natural world. The ewers and jugs are usually made of silver and are often decorated with intricate engraving, repoussé, and chasing.

    The style is named after Benvenuto Cellini (1500-1571), a famous Italian goldsmith, sculptor and artist of the Renaissance period. Cellini's work was known for its intricate designs, which were often inspired by classical mythology and the natural world.

    They are considered to be highly decorative, high-quality pieces that are appreciated by collectors and connoisseurs.

    The Cellini style is considered a very high form of metalworking, it's very detail oriented and requires high skills, craftsmanship and time. It's usually found in high-end and luxury pieces and is often seen as symbol of status and wealth.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Chasing - The method of decorating gold and silver objects using a punch and hammer so that the design appears in relief. Flat or surface chasing is done from the front giving the item definition, but not cutting into the metal.

    Chasing is the opposite technique to repousse, but an object that has repousse work, may then have chasing applied to create a finished piece.
  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.

This item has been included into following indexes: