Porcelain Cupids with Flower Baskets and Wreaths
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A pair of porcelain cupids after Chelsea, 19th century, probably Samson of Paris, hard paste Chelsea Derby-type cupid figures holding baskets of flowers and wearing wreaths, bearing gold anchor marks and swastika emblems verso, one item marked with a small painted 'D' underside, height 10.5 cm
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- Verso - Verso is the "back" side of a sheet of paper, art work, coin or medal. The front side is "recto".
- Hard Paste Porcelain - Hard paste porcelain is true porcelain made of china stone and kaolin. The formula has been known by the Chinese since 800BC, but was kept secret until the early 1700s when a chemist at the Meissen factory discovered it, and the formula has since become known throughout the west.
- Cupid Motif - The Cupid motif, which features the Roman god of love and desire, Cupid, was a popular decorative element in classical ornamentation. Cupid was often depicted as a winged, naked baby with a bow and arrow, and was often used to symbolize love and desire.
In classical art and architecture, Cupid motifs were often used as decorative elements on furniture, such as on the legs of chairs and tables, as well as on architectural elements such as friezes and pediments. They were also used as decorative elements in frescoes, mosaics, and other forms of art.
During the Renaissance, Cupid motifs were often incorporated into the decoration of palaces, churches and other grand buildings, as they were seen as symbols of love and fertility. Cupid motifs were also commonly used in the decorative arts of the Baroque period, often appearing in the form of putti, which are small winged cherub figures.
In addition to their decorative use, Cupid motifs were also believed to hold symbolic meaning, as they were thought to evoke feelings of love, desire, and fertility.
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