Tiffany Favrile Goblet, c.1900
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A L.C.T. Tiffany favrile glass goblet, c.1900, raised on a baluster stem, iridescent gold tone. Signed and detailed to the base '3157 M L.C.T. Tiffany Favrile'. Height 17 cm. Diameter 10 cm
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- Baluster (glass) - An architectural term for a column in a balustrade or staircase.
When used to describe glass, it can either refer to the shape of the stem of a wine glass, being slender above and pear shaped below, or the shape of the whole vessel, usually a vase. In fact the baluster shape is often described as being vase-like.
The description of a vase as being of baluster shape covers a wide variety of shapes that often bear no resemblance to the original architectural form. - Favrile - Favrile glass is a type of iridescent art glass, similar to some of the Roman glass that has been excavated after being buried for centuries. It was developed by Louis Comfort Tiffany in 1892, patented in 1894 and the first itmes were produced in 1896. It differs from most iridescent glasses because the colour is ingrained in the glass itself, instead of being sprayed onto the surface while the glass was molten, as with Carnival glass.
The most common items manufactured by Tiffany in favrile glass were vases.
The glass was imitated by Loetz and other Bohemian manufacturers. - Irridescent Glass - Iridescent glass has a shimmering or rainbow-like appearance due to the way it reflects light. It is created by applying a thin layer of metal oxides to the surface of the glass while it is still hot and malleable, which then creates an interference effect that produces a range of colours as the light reflects off the surface. The exact colours and patterns created by iridescent glass depend on the specific types of metal oxides used and the techniques used to apply them.
Iridescent glass was first developed in the late 19th century, and quickly became popular for use in decorative art glass and stained glass windows. Some of the most famous examples of iridescent glass were created by artists such as Louis Comfort Tiffany and his studio, who used it extensively in their distinctive lamps, vases, and other decorative objects.
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