Victorian sterling silver single drinks tray, hallmarked London,…
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Victorian sterling silver single drinks tray, hallmarked London, 1850, G.A ( George Angell), of scalloped form, with engraved floral and acanthus motifs, total weight 212gm, diameter 19 cm

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  • Hallmarks - A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.

    The hallmark will consist of several marks, including the:

    - silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.

    - the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.

    - the date mark, usually a letter of the alphabet in a particular font and case,

    - a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890

    The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.

    Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
  • Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
  • Victorian Period - The Victorian period of furniture and decorative arts design covers the reign of Queen Victoria from 1837 to 1901. There was not one dominant style of furniture in the Victorian period. Designers used and modified many historical styles such as Gothic, Tudor, Elizabethan, English Rococo, Neoclassical and others, although use of some styles, such as English Rococo and Gothic tended to dominate the furniture manufacture of the period.

    The Victorian period was preceded by the Regency and William IV periods, and followed by the Edwardian period, named for Edward VII (1841 ? 1910) who was King of the United Kingdom and the British Dominions and Emperor of India for the brief period from 1901 until his death in 1910.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Angell Family of Silversmiths - There were a number of members of the Angell family who were silversmiths, commencing with Joseph Angell I (also expressed as Joseph Angell, Senior), and his brothers John Angell and Abraham Angell.

    On the retirement of Joseph Angell I in 1948, from what had become the leading London silverware workshop, the business was taken over by his son, Joseph Angell II (also expressed as Joseph Angell, Junior), (1815 - 1891).

    Joseph Angell II exhibited at the at the 1851 Great Exhibition, the 1853 New York Exhibition, and the 1862 International Exhibition winning medals at each event.

    His career is marked by the rich silver items crafted and decorated with chiseling, reliefs and enamels, including trays, tea and coffee sets, jugs, centrepieces and vases

    The Victoria and Albert Museum in London holds a number of silver objects by Jospeh Angell II.
  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • Scallop / Shell Motif - The shell motif has been used in furniture and decorative arts for centuries. In ancient Greece and Rome, shells were often used as decorative elements on furniture and in mosaics. The scallop or cockleshell are the most commonly used. During the Renaissance, the shell motif became popular in furniture and architecture, as the ornate decoration was seen as a symbol of wealth and luxury. In the 18th century, the Rococo style of furniture and decorative arts featured an abundance of shell motifs, and it was used by Thomas Chippendale and as a feature on Queen Anne style cabriole legs. In the 19th century, the shell motif was incorporated into Victorian furniture and decorative items, and often a representation of the the conch shell was inlaid into furniture.

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