Vintage Royal Crown Derby Cobalt Blue Serving Dishes
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Pair vintage Royal Crown Derby serving dishes gilded cobalt blue decoration, marked to bases and reg no 710700, width 26 cm each.
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- Registered Numbers - Between 1842 and 1883, a diamond- shaped mark was used to identify items as British-made, which classified the item according to the material from which it was manufactured, as well as the date of registration. This system was discontinued in 1884 when a numbering system was introduced.
Design registration is for "what and item looks like", and is not a patent ("how something works") or trade mark ("what it is called").
The registered number is usually on an under-surface of an object (on the base of ceramics) and oftern shown as "Rd. No. 99999", sometimes surrounded by a rectangular box.
The table below lists the year, and the first registered number for that year:
1884 1
1885 18,993
1886 39,547
1887 61,207
1888 87,266
1889 111,664
1890 140,481
1891 160,613
1892 183,259
1893 203,348
1894 223,861
1895 244,726
1896 266,237
1897 288,848
1898 309,956
1899 328,527
1900 349,120
1901 367,628
1902 380,979
1903 401,944
1904 422,489
1905 428,004
1906 469,160
1907 486,464
1908 516,375
1909 533,561
1910 546,084
1911 561,570
1912 585,707
1913 608,541
1914 627,887
1915 642,613
1916 651,079
1917 655,001
1918 662,576
1919 665,728
1920 664,869
1921 676,491
1922 685,412
1923 691,571
1924 695,944
1925 705,943
1926 716,386
1927 723,430
1928 725,899
1929 740,459
1930 741,336
1931 757,945
1932 767,110 - Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
This item has been included into following indexes: