Regency Mahogany Extension Table with Twin Pedestals

• Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
  
  Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
• Lion's Paw - The decorative lion's paw has been used in furniture, silver, and ceramics for centuries. It is a stylized representation of the paw of a lion, often depicted in a highly realistic or stylized form.
  
  In furniture design, lion's paws were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as feet on tables, chairs, and other pieces of furniture. The lion's paw was a popular motif for furniture makers because it added a sense of grandeur and regalness to their pieces.
  
  In silverware design, the lion's paw was often used on the feet of tea and coffee pots, as well as on other pieces of silverware such as wine coolers and tureens. The lion's paw was often used in combination with other neoclassical motifs, such as acanthus leaves or grape clusters, to create a sense of grandeur and classical elegance.
  
  In ceramics, lion's paws were commonly used as feet on vases, urns, and other pottery items. The lion's paw was often depicted in relief or as a highly stylized form, and was sometimes used in combination with other decorative elements, such as garlands or swags.
• Pedestal - The columns that support many dining tables and most small occasional tables. They are usually turned, though octagonal-shaped pedestals were fashionable during the 1830s and 1840s.
• Regency Period - The Regency period in English furniture design refers to the period when King George III, was declared unfit to rule in 1811, and his son ruled as proxy as Prince Regent, until 1820, and then, after the death of his father as George IV until his death in 1830. The Regency period was preceded by the Georgian period (George I, George II, and George III: 1714 - 1811), and was followed by the William IV period, which only lasted until 1837 when William IV died as was succeeded by Queen Victoria.
• Paw Feet - A paw foot is a base of a furniture leg that resembles the paw of an animal, such as a lion or bear. It is a decorative feature that is often seen in traditional furniture designs, particularly in styles such as Chippendale, Queen Anne, and Georgian. A paw foot typically consists of a carved or moulded ball or disk at the bottom of the leg, which is then carved or shaped to resemble the toes or claws of an animal. The foot may be smooth or textured, depending on the design, and may be finished in a variety of materials, such as wood, metal, or even marble.
  
  Paw feet are often used on heavier pieces of furniture, such as chests, tables, and chairs, to provide additional stability and support. They are also used as a decorative element, adding a touch of elegance and sophistication to the overall design.
  
  "Hairy paw feet" is a term used to describe a variation of the foot design that features a carved or sculpted animal paw, such as a lion or bear, with hair or fur details. The hair or fur details were often carved in a realistic manner and added to the overall decorative effect of the furniture. Hairy paw feet were commonly found on furniture items such as tables, chairs, and cabinets and were popular in the 18th century.  
  
  

• Turning - Any part of a piece of furniture that has been turned and shaped with chisels on a lathe. Turned sections include legs, columns, feet, finials, pedestals, stretchers, spindles etc. There have been many varieties and fashions over the centuries: baluster, melon, barley-sugar, bobbin, cotton-reel, rope-twist, and so on. Split turning implies a turned section that has been cut in half lengthwise and applied to a cabinet front as a false decorative support.
• Sabre Leg - The sabre leg is commonly associated with chairs made in the Regency or classical revival manner of the early 19th century. The form was copied from designs of the ancient Grecian chair known as a klismos found on painted classical vases. The characteristic of the sabre leg is a wide, sweeping backward curve which was frequently reeded, similar to a sabre. The sweep of the front legs was sometimes complemented by a corresponding curve in the back legs of the chair, though on most domestic furniture the sweep of the rear support was not as pronounced. Sabre legs are often encountered in reproductions of the regency style. They are uncommon in Australian furniture where, by and large, colonial craftsmen preferred to use turned legs.
• Stringing - Fine inlaid lines, in contrasting colour to the carcase timber, found mainly on furniture made in the styles of the later 18th and early 19th centuries. Stringing, which may be of satinwood, pine, ebony, horn, brass or occasionally ivory, is found principally on drawer fronts, around the outer edges of usually tapered legs and French bracket feet, around the edges of inlaid panels and between the joint of the cross banding and carcase timber on table tops, chests of drawers, cabinets etc. The effect is to emphasize the line of the piece and add to the impression of lightness and elegance. Stringing also occurs in Sheraton-revival-style furniture of the later 19th and early 20th centuries.
• Cross Banding - A decorative veneer, up to about 2 cm wide, laid at right angles to the parallel grain of the main carcase, continuing around the edge of the piece, used around the edges of table tops, drawer fronts, tops of chests and desks, and sometimes on door frames. The cross band may be either in the same or contrasting timber to the carcase and the joint may be sometimes hidden by a line of stringing or herring-bone banding. Cross banding is found on furniture constructed both of solid and veneered timber. Where solid timber is used, a rebate will have to be cut to accommodate the cross band, so that the upper surface of the piece is flush. However, due to the natural shrinkage of timber over the years, the cross banding will have been pushed up in places, and the joint can be felt by the fingertips. If the cross banding is completely flush or even countersunk below the surface of the carcase and shows no other evidence of strain, it may very well have been a more recent addition.

This item has been included into following indexes:

• tables, large dining
  • extending, Regency 34
  • twin, triple and four pedestal dining tables 87