Johan Rohde's Iconic Silver Water Pitcher for George Jensen
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A silver water pitcher designed by Johan Rohde (1856-1935) for George Jensen; design 432A; 22.5 cm high; 565gms. Johan Rohde began designing products for Jensen in 1906. His designs have much in common with Jensen's own; both silversmiths used the same oxidisation technique and their pieces bear characteristic hammer marks. However, Rohde's designs are highly stylised in comparison to Jensen's more natural Art Nouveau style. In 1913 Rohde committed to designing solely for Jensen. Many of his pieces were quintessentially modern and well ahead of their time; pitcher 432 was one such piece. Designed in 1920, Jensen believed the 432's design so advanced that it was held back from production until 1925. Since then, this pitcher has been admired for almost 100 years, demonstrating the enduring appeal of its design and its ability to transcend a century's worth of change.
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- Ewer / Pitcher - A type of jug with a narrow neck bulbous body and wide spout, originally used for carrying and storing liquids such as water or wine. In medieval times they were the source of water to wash ones hands during and after a meal. later the shape was used for vessels in silver, gold, glass and ceramics.
In Victorian times they were made in ceramics and occasionally glass with a matching basin, and sometimes other accessories such as a soap holder or toothbrush holder. Their purpose was to provide facilities for personal washing In the early 19th century were often enclosed in purpose built stands, and later resided on a washstand..
Sometimes the words "ewer" and "pitcher" are used interchangably, but a pitcher is generally considered to be a jug, and would have a wide mouth, and a gently tapering body. - Art Nouveau Period - The Art Nouveau period was a cultural movement that emerged in the late 19th century, and was characterized by its emphasis on natural forms, flowing lines, and a decorative, ornamental style. Art Nouveau was a reaction against the ornate and heavily stylized designs of the previous era, and sought to create a new, more organic aesthetic.
Art Nouveau was characterized by its use of sinuous, curving lines, as well as a focus on natural elements such as flowers, vines, and other organic shapes. Art Nouveau designers sought to create a total work of art, in which every element of a building or object was designed to be harmonious with the overall design.
Some of the most iconic examples of Art Nouveau design include the Paris Metro entrances designed by Hector Guimard, the works of the artist Alphonse Mucha, and the architecture of Victor Horta in Brussels.
The Art Nouveau period was at its peak between 1890 and 1910, but began to decline in popularity by the start of World War I. However, Art Nouveau remains an important influence on design and art to this day, and continues to be celebrated for its emphasis on natural forms and decorative style.
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