French Gilt-Brass Carriage Clock with Alarm, 19th Century

A French Gilt-Brass repeating carriage clock with alarm, 19th…
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A French Gilt-Brass repeating carriage clock with alarm, 19th century, the rectangular gilt-brass case engraved with foliate scrolls, inset with bevelled glass panels. With lever platform, bell strike, subsidiary alarm dial, seconds centre sweep, inscribed on back plate J.D. BRte, the case 14 cm high, 10 cm wide, 8 cm deep. Provenance: Sotheby's Australia, 'The Connoisseur Collection- Part2', May 28 2008, lot 403. Contents of Toorak mansion, Trawalla.

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  • Bevel / Chamfer - In furniture making, a chamfered corner refers to a technique used to create a smooth, angled edge on the corner of a piece of furniture. This is typically done by cutting away a small portion of the corner at an angle, typically 45 degrees, creating a diagonal edge, rather than a sharp 90-degree angle. This technique can be used on various parts of a piece of furniture such as table legs, drawer fronts, or door frames. Chamfering can add visual interest to a piece and can help to soften the overall look of a piece of furniture. It is often used in conjunction with other techniques, such as rounding edges or using contrasting wood species to create a more elegant, sophisticated look. Chamfering is a simple way to add a touch of elegance to a piece of furniture and it is a common technique used by furniture makers.
  • Foliate - Decorated with leaves or leaf-like forms.
  • Back Plate - On many types of clocks, the movement operates between two plates, usually made of brass, one at the back, and the other at the front, which forms a mount for the dial.

    On English bracket, mantle and table clocks the backplate was often visible through a glass door or panel from the late 17th century, and could be profusely engraved with scrolling decorations, flowers, foliage, birds, and figures. The engraving could also include the maker?s name.

    The amount of engraving reduced and became simpler as the 18th century progressed, and by 1800, had been reduced to a border, often with the maker's name in the centre. By the early 1800s all decoration had ceased, and only the maker's name was added, and by the Victorian era, most bracket, mantle and table clocks had no engraving.

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