Napoleon III Vernis Martin Bombe Cabinet

A fine Napoleon III kingwood Vernis Martin bombe cabinet, third…
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A fine Napoleon III kingwood vernis martin bombe cabinet, third quarter 19th century, with a shaped maroon marble top above an extravagantly shaped case decorated with a finely painted romantic idyll, the cabinet interior lined with crushed red velvet, dressed throughout with well cast leafy ormolu borders and bold espagnolettes to the pronounced hipped edges, and sabots, with key, height 112 cm, width 80 cm, depth 43 cm

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  • Bombe Front - More commonly associated with a dome shaped dessert, "bombe" in furniture parlance means "puffed out". In profile the piece is serpentine shaped, narrow at the top, swelling out towards the middle and continuing to the floor, though sometimes it narrowed again at the foot. Drawer fronts are curved in section. Bombe pieces are often highly decorated with marquetry inlay, or veneered and set with brass or ormolu mounts. The most common use of the word, is in the description of the 'bombe commode'.

    The bombe design was particularly popular in the 18th century, during the reign of Louis XIV, when it was used to create furniture pieces with a curved, rounded bulging shape. This design was used on furniture in many styles, including Baroque, Louis XIV, Louis XV and Louis XVI. The bombe chest is one of the most iconic furniture piece featuring this design. They were usually made of precious woods like mahogany, rosewood, and walnut, and feature elaborate inlay, gilded ornaments and ormolu. Other items of furniture where the bombe design can be seen include cabinets, commodes, and desks.
  • Vernis Martin - A generic name for a type of lacquer finish applied to furniture and a multitude of small articles, giving a brilliant translucent finish, imitating the Chinese and Japanese lacquer finishes on furniture imported into France during the Louis XV period..

    Usually the surface to which the lacquer is applied was embellished with painted decoration of a classical scene.

    The name is derived from the inventors, Simon-Etienne Martin and his two brothers, a distinguished family of French artist-artificers of the 18th century, who refined and perfected the technique, and were granted a monopoly in its manufacture in 1730.
  • Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.

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