A French Louis XVI period silver sugar bowl by Louis de Roussy…
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A French Louis XVI period silver sugar bowl by Louis de Roussy Paris 1781 a covered sugar bowl (sucrier) in 950 silver. neo classical openwork decorated with garlands, roses, laurels, and pearls. It rests on baluster feet with acanthus leaves. The cover is topped with wild strawberries. There is restoration to the cover. The cover bears the silver mark of a girl's head in profile with a Phrygian cap, the date letter S for 1781, and the maker's mark 'Ldr'. 13.6 x 17.2 x 9.5 cm

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  • Neo Classical - The period or style, known as "neo-classical", was based on Greek and Roman designs and motifs, and is usually associated with the influence of the four Adam brothers, but principally Robert Adam, the second oldest of the brothers, who were architects and designers, active in the latter half ot the 18th century (1760s to 1790s).

    Born in Scotland in 1728, Robert Adam spent time in Italy studying and his designs are influenced by the finds made during the excavation of Pompei.

    When he returned to England he became the Court Architect to George III (1738-1820).

    In turn, designs by Adam then influenced Hepplewhite.

    Neo-classical ornamentation is characterised by use of classical urns, palmettes, mythical creatures such as the sphinx and griffin, ram's heads, swags, scrolling foliage, and use of the Greek key pattern.
  • Acanthus - A stylized leaf motif, one of the primary decorative elements of classical Greek and Roman architecture, derived from the genus of flowering plants in the family Acanthaceae, native to tropical and subtropical regions of the Mediterranean area. It is a common element in classical Greek and Roman design, and is often seen in Corinthian and Composite order columns and used as a decorative element in English, European and Australian furniture, particularly on the curve of a leg, and as decoration for a corbel.
  • Floral Swag / Garland / Festoon - Floral swags are a decorative motif often used in the ornamentation of various objects, such as silverware, glassware, and furniture. The term "swag" refers to a garland or wreath of flowers, foliage, or other decorative elements, which is usually arranged in a loop or curve.

    Floral swags can be found in a variety of decorative styles, from ornate Baroque and Rococo designs to more naturalistic Art Nouveau and Art Deco styles. They are often used to add a touch of elegance, refinement, or whimsy to an object, and can be seen on a range of items from chandeliers and candlesticks to picture frames and tea sets.

    In the decoration of silver objects, floral swags are often used to accentuate the curves and lines of the piece, and to add visual interest to the surface. Similarly, on glass objects, floral swags may be used to frame or highlight a particular area of the object, or to add a touch of color and delicacy.

    On furniture, floral swags can be found on a variety of pieces, from cabinets and armoires to chairs and sofas. They are often used to enhance the lines and curves of the furniture, and can be used to create a sense of movement and flow in the design.

    Overall, floral swags are a versatile decorative element that can be adapted to a range of styles and applications, and have been used in the decoration of various objects throughout history.
  • Date Letter on Silver - A date letter is a letter or symbol that is used to mark silver and other precious metals to indicate the year in which the piece was made. The date letter system is used by the British hallmarking system and it is a way to verify that a piece of silver is genuine and has been assayed (tested) by an official assay office.

    The date letter system has been in use since the 14th century and it changes every year, so it is possible to identify the year in which a piece of silver was made by looking at the date letter. The date letter is usually stamped alongside other hallmarks such as the maker's mark, and the standard mark (indicating the fineness of the metal) on the silver piece. The style of the letters varies depending on the assay office, and the style of the lettering also changes over time. The date letter is usually placed inside a shield shape, sometimes accompanied by other symbols.

    The date letter system is not used in all countries, so if a piece of silver does not have a date letter, it does not necessarily mean it is not authentic. The date letter system is not always used for small or insignificant silver items.

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