Meiji Satsuma Koro with Immortal Scenes and Gilding
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Satsuma Koro Japanese Meiji period, porcelain koro with four alternating hand painted cartouches decorated with immortal scenes and extensive gilding, raised on four feet and applied Dog of Fo to finial. Character marks to base. (Repair to lid), height 14 cm.
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- Foo Dogs - Foo Dogs, also known as "Fo Dogs", "Fu Dogs", and " Buddhist lions" are the Chinese guardian lions that have traditionally stood in front of Chinese Imperial palaces and tombs, government offices, and the homes of the influential are believed to have powerful mythic protective benefits.
They are a popular motif in decorative arts, especially ceramics and garden statuary, where they are depicted in pairs, comprising of a male resting his paw upon an embroidered ball, representing supremacy over the world, and a female restraining a playful cub, representing the nurturing properties of the female. - Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.
Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins. - Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
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