A George III style mahogany library book case, made by Shard Stebbing Ltd, England, late 20th century, of break front outline, the upper part with a fretwork swan neck pediment and blind fret frieze above four astragal glazed doors enclosing adjustable shelves, the projecting lower part with a pair of cabinet doors to the centre flanked by flights of drawers, the drawer linings solid oak, height 237 cm, width 213 cm depth 43 cm
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- Mahogany - Mahogany is a dense, close grained red-coloured timber from the West Indies and Central America. It was first imported into Europe in the the early 18th century and its use continued through the 19th century. It was popular for furniture making because of its strength, the wide boards available, the distinctive grain on some boards, termed flame mahogany and the rich warm colour of the timber when it was polished.. The "flame" was produced where a limb grew out from the trunk of the tree, and this timber was usually sliced into veneers for feature panels on doors, backs and cornices.
Some terms used to describe mahogany relate to the country from which it originally came, such as "Cuban" mahogany, "Honduras" mahogany etc. However unless the wood has been tested the names assigned are more a selling feature, rather than a true indication of the timber's origin.
- Astragal / Glazing Bars - An astragal, bead or glazing bar is the term used to describe the wooden strips that divide the glass in a cabinet into sections. However it can also refer to the narrow beading on a multi-door cabinet or bookcase that covers the gap between the doors, when they are closed. The astragal is usually attached to the inner stile of the left-hand door (or the right hand as you look at it).
- George Iii - George III (1738 - 1820) was King of Great Britain and Ireland from 1760 to 1820.
- Swan Neck Pediment - Most commonly found on clocks, cabinets and bookcases, a swan neck pediment is formed by two flattened "S" shapes which almost meet in the centre. The form was derived from classical architecure and popularised by Chippendale in the 18th century. A true pediment is triangular in shape, and as a swan neck pediment does not meet at the apex of the triangle it is known as a "broken pediment". Swan neck pediments are also known as scrolled pediments.
- Oak - Native to Europe and England, oak has been used for joinery, furniture and building since the beginning of the medieval civilisation. It is a pale yellow in colour when freshly cut and darkens with age to a mid brown colour.
Oak as a furniture timber was superceded by walnut in the 17th century, and in the 18th century by mahogany,
Semi-fossilised bog oak is black in colour, and is found in peat bogs where the trees have fallen and been preserved from decay by the bog. It is used for jewellery and small carved trinkets.
Pollard oak is taken from an oak that has been regularly pollarded, that is the upper branches have been removed at the top of the trunk, result that new branches would appear, and over time the top would become ball-like. . When harvested and sawn, the timber displays a continuous surface of knotty circles. The timber was scarce and expensive and was used in more expensive pieces of furniture in the Regency and Victorian periods.
- Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
- Fretwork - Pierced intricate decorative patterns, cut with a fine saw and generally found around the galleries of desk tops, open-hanging shelves and small tables.
In open fret, the timber is completely pierced, giving an appearance of great lightness and delicacy.
With blind fret, as seen in Chinoiserie styles of Chippendale, the fretwork is applied like a moulding to a solid panel.
- Blind Fret - Fretwork that is attached to a solid timber frame or panel, so that the section does not appear to be completely pierced. Often found on 18th century furniture in the Chinese taste and on the canted corners of tallboys or longcase clocks.
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